This is our Popular Culture dashboard; a hybrid of creative offerings from The brpr Group Chief Creative Director Gerard Bush mixed intermittently with the images and people that inspire us in creating compelling branded content curated by the brpr team. Our objective is community building for brands and that begins with the tastemakers and thought leaders of popular culture as the base foundation to The brpr Group’s process of story building.
I now understand the primary motivation of the spirit to become the physical manifestation that is the human form; to love, to be a part of, to join, to participate, even if not in actuality, which is most often the case, but in the annals of one’s imagination that is the history that becomes a person’s life story. We are all born of purpose and to be among those blessed enough to even partially comprehend that universal truth, can count themselves as being truly blessed.
God bless you Steve Jobs and God’s speed onto the next chapter in your infinite journey.
WORKSPACE DESIGN MAGAZINE “The brpr Group: “Agency of The Future”
The brpr Group is committed to unbridled creativity, unencumbered by limit in imagination and their new office space in the prestigious Design District of Miami, Florida reflects that tenet. The Design District, better known as “The Soho of the south” is the hot bed for art and entertainment and serves as ground zero for the world famous Art Basel’s American winter outpost and surrounding satellite fairs. The brpr Group’s office makes a huge statement about open space, inviting direct contact with the team that comprises the agency collective. Twenty-five foot ceilings and polished concrete floors seem to initially convey the expected for an agency comprised solely of Gen- X and Millennials, but look a bit closer and that’s where the similarities end. Most ad agencies you might find a fooseball table or basketball hoop, in stark contrast, at The brpr Group, there is an obvious obsession with minimalism and stunning beauty. The office space is of a museum standard that you might expect in a contemporary art museum in Manhattan. Their agency logo greets you at the front door flanked by floor to ceiling glass ,with a mantra that concludes with” welcome to the cult”. 17’ foot sheer white curtains , not so subtly reminiscent of Philip Stark and The Delano Hotel, is the only wall separating “the last supper” conference table, in pearl white glass, from the common area of the office that is divided into giant workstation pinewood pods , with a velvet red Roche Boise collector sofa. A black and white photo,that of the agency mascot, a 3 yr old boxer named Cooper, keeps watchful vigil over the 12 employees that call The brpr Group home. The agency boast a strict adherence to ancient Chinese Feng Shui principles, as evidenced in the observation of zero clutter in sight and an entire wall outfitted in patented white board paint that seems to suspend ideas in mid wall air. The brpr Group exemplifies the evolution in what is the creative work space of the future; most certainly for ad agencies that are fortunate enough to include exquisite taste as a welcomed supplement to their roster of services.
The brpr Group’s Creative Director’s latest ad for retro 50’s designer Anya Ponorovskaya.
3 years ago
Mr.Baron thank you for the inspiration that you have given me. My style cues through the years have been informed by your images I grew up pouring over in magazines. I now look to make my own mark in art direction for a new era of conversational and digital platforms and thank you for the very big shoulders that you provided that enable me in reaching the next level.
A preview of The brpr Group’s Chief Creative Director Gerard Bush’s latest digital fashion story for Haute Living Magazine’s July issue, starring Eva Longoria, and shot by super-star photographer Greg Lotus.
3 years ago
The brpr Group Work
The brpr’s Chief Creative Director Gerard Bush’s latest digital content starring Eva Longoria and Nic Roldan, shot by Greg Lotus for Haute Living Magazine. Jilian Sanz Fashion Editor.